Article / X-Factor lessons

It was the whole Susan Boyle phenomenon that got me watching talent shows. Since then I have become a fan and follower. Lot to love about Simon’s honesty – unless you’re on the stinging end of it, I suppose.

So what’s my point?

Charisma.

This from Wikipedia …

The word charisma (Greek “kharisma,” meaning “gift,” “of/from/favored by God/the divine”) refers to a trait found in persons whose personalities are characterized by a personal charm and magnetism (attractiveness), along with innate and powerfully sophisticated abilities of interpersonal communication and persuasion. One who is charismatic is said to be capable of using their personal being, rather than just speech or logic alone, to interface with other human beings in a personal and direct manner, and effectively communicate an argument or concept to them.

While watching the audition performances, it’s abundantly clear how much charisma plays right along side talent.

This very same idea should apply to one’s screenplays. Not only does it need to be somewhere in the vicinity of screenplay standards in formatting and structure (linear, non-linear, 3 act, 2 act, etc.), but it also needs to have charisma.  The personality of the script should follow the personality of the story – if it’s a comedy, write comedic. If it’s dark, then write it dark, every word and every action.

Nothing disappoints more than to read interesting characters/dialogue being dragged down by mechanical action text.

When the reader finishes, you want them to think they just met the most interesting Id, Ego and Super-Ego on the planet.

Watch a few of the better performers on X-Factor (or talent show of choice), and compare them to the belly flops. Two things come into play every time: talent and charisma – or lack there of.

Just a tip